
TV is the New Reading
Fall crop of premieres a
disappointing harvest
In this topic, it’s harvest season for a disappointing crop
of fall premieres.
NCIS, NCIS: Los Angeles
To start with, I can no longer say I’ve never watched an
entire episode of “NCIS” or, for that matter, “NCIS: Los Angeles.” I missed the
season and series premieres, but managed to catch the follow-ups this week.
The Naval Criminal Investigative Service, I am
informed by a Web site, is a unique, highly-trained and effective team of
special agents, investigators, goth chicks, forensic experts, former hiphop
artists, security specialists, pretty boys in eye makeup, analysts, a small
bespectacled gnome who sees all and knows all, and support personnel: NCIS, the
Naval Criminal Investigative Service.
NCIS is primarily responsible for investigating
actual, suspected or alleged major criminal offenses involving the U.S. Department
of the Navy, or Navy or Marine Corps personnel. In the course of these
investigations, women agents somewhere on the spectrum walk into the gents
washroom to share their life stories before they’re even confirmed as part of
the team (although putting them in the opening credits kind of telegraphs it)
and flirt with both Tommy and Timmy, although both of them seem a little too
fabulous for her.
However true that is or isn’t, executive
producer Shane Brennan has established a testosterone-fueled hut-hut alpha
existence in an office setting. There’s nowhere for it to go so it comes out in
mild embarrassments and bathroom humor. Mark Harmon is Gibbs, the wise sensei
who knows all and is the unquestioned leader in any situation he encounters.
Trying to establish himself in that role on
“NCIS: Los Angeles” is L.L. “My Hat is Like a Shark’s Fin” Cool J as Special
Agent Sam Hanna. He’s a Navy SEAL and you can tell because he goes on and on
about it to people who already know, and in the case I saw he’s generally
disgusted that he has to investigate a fellow SEAL -- one he’d trained, even.
He’s got this unnecessarily adversarial
relationship with Chris O’Donnell’s Agent Callen, who honest to God could be
played by absolutely anyone pretty. There’s a young agent on the team who is
painfully slow on the uptake, a couple of random functionaries who defy
character development and hey, another gorgeous woman and then we have the
Ducky of this series, Linda Hunt, as enigmatic operations manager Hetty Lange
whose function appears to be confronting people bluntly about … anything that
occurs to her.
Y’know what? Not every show is written for
every audience and people are allowed to enjoy whatever it is they enjoy about
these to me perfectly interchangeable shows. The CBS crime drama audience tends
to enjoy watching young, athletic, pretty people with let’s call it a “range”
of acting abilities take on disruptive drug dealers and dirty cops and gang
bangers and hoodlums and ne’er-do-wells and basically solve the problems of the
world in 42 minutes. They get a little thrill of emotional intensity, to tsk
tsk about young people nowadays and what is the world coming to, then something
blows up or L.L. Cool J. emerges from a water hazard in a wetsuit, guns blazing
and then brooding about how it all went down. If that’s the show you enjoy, and
ratings would suggest that’s the case, well, now there’s another one. New
episodes air back to back starting at 7 p.m. on CBS.
Stargate: Universe
I’m not certain what I was expecting from “Stargate:
Universe,” which premiered Friday night on Syfy, but I think I was expecting …
more.
Dr. Reed, the quietly charismatic leader in
this series, reminds me of a Dr. Balthar type character in what is still
constructed as a military mission. The newest member of the team, young Eli,
joined up not 100 percent by choice when Reed crowdsourced a difficult
mathematical equation disguised as a video game and Eli cracked it. The
equation was meant to unlock a ninth and final chevron in an ancient
teleportation device that connects up -- never mind other points in our galaxy,
but in fact intergalactic portals through an extraordinary curvature in
spacetime called a wormhole.
Anyway, one of these portals is aboard a
starship and a very random collection of people come through it when the ship
carrying Dr. Reed, Eli and a different portal was destroyed, possibly to save
Earth, possibly in the wake of the destruction of Earth, I wasn’t too clear on
that -- there was some sort of alien attack on something somewhere, but there
were also a lot of flashbacks going on and it was very confusing.
Essentially, a race of Ancients established
these portals, they connect up with each other, but in this case, not to the
extent that the crew will make its way back home. Instead, in something new
they’ve come up with called a plot twist, the ship is going to determine what
they need and then will open nearby portals accordingly. In that the ship was
barely able to maintain life support for the all-human crew and one of them had
to die to try fixing it, one wonders about the ship’s intuitive acuity, but
hey, plot device -- humans aboard a mysterious ship, many megaparsecs from home
and the ship is opening random doors here and there.
A grand adventure, to be sure, but when the
only overarching theme is “Take us home” -- if there’s a home to get to … well,
“Star Trek: Voyager” envisioned a crew in not dissimilar circumstances and that
ran for seven seasons, so … “Stargate: Universe” airs Fridays at 8 p.m. on Syfy.
New comedies
Well, “Modern Family” premiered. There’s a
couple with three kids and the oldest daughter is starting to bring boys home
and mom is doing everything in her power not to freak out without much help
from her "cool dad" husband. There’s the other couple, a gay couple,
who has adopted a daughter. Then there’s the patriarch who married a gorgeous
young Colombian woman and picked up a stepson, Manny, who to me had the only
funny bit in the pilot episode when he had a picture taken of himself as Pancho
Villa in a ridiculous mustache at a photo booth in the mall while declaring his
love for the girl running it.
Otherwise it seemed to be a great excuse for
whoever was writing this to highlight mild gay stereotypes specifically to
fluster the uptight half of the gay couple. Otherwise, Cool Dad was the usual
clueless male you find in these sitcoms and the laughs come from his general
cluelessness ("I’m a cool dad, I text, I do texting. LOL, laugh out loud,
OMG, oh my god, WTF, why the face"). Ultimately, it wasn’t that funny. OK,
it was a little funny, but nothing I’m going to be seeking out.
Maybe exactly that funny was “The Middle,”
basically ABC’s version of “Malcolm in the Middle” as told from the perspective
of the mom, who is married to the janitor from “Scrubs” and has three kids, all
of whom are disturbing in their own special way. She’s struggling to keep
everything together as supermom -- even going so far as to wear a superhero
costume for her younger son’s class project, and then showing up on the wrong
day. Their daughter’s weirdness managed to destroy an entire swing choir. Hubby
is barely any help and by the end of the pilot episode, she manages to get a
car stolen from her. It may be the kind of show you watch to cheer yourself up,
and to say “Well, at least my life’s not that bad,” but it’s not
something I’d care to watch.
Keeping with the family disasters, ABC’s “Hank”
arrived starring Kelsey Grammer as the fired CEO of a sporting goods
conglomerate who somehow didn’t have a golden parachute lined up. This might be
a genuine miscalculation on the part of ABC, but it’s hard these days to find a
lot of sympathy for the fired CEO of a corporation right now, or to feel really
bad for his having lost everything. Losing everything seems to translate to a
three-bedroom fixer-upper in Virginia with a living room and a den and while
the kids seem relatively unspoiled you’ve got your standard neurotic and
resentful wife and the weird little son and every teenaged daughter ever
written. At the center you’ve got another clueless patriarch out of touch with
his family and at a loss as to what he’ll do next, but hey, at least you’ve got
the wisecracking brother-in-law oh dear lord NEXT!
Next it’s Courtney Cox in ABC’s “Cougar Town.”
I was finally able to catch the pilot episode and it was by far one of the
funniest new shows in the lineup. The opening sequence is Courtney as divorcee
Jules Keller, being disappointed in her 40-ish body. She and her younger real
estate colleague Laurie determine that Jules should be dating again but she’s
disgusted by the men her own age (like her neighbor, Grayson), who she says are
all either broken, gay or -- as is the case with Grayson -- dating younger
women.
She finds a younger man, Matt, (about her son
Travis’s age) and at first she’s not sure it’s the right move but her neighbor
and best friend, Ellie, sees him with his shirt off and says “Go do disgusting
things to that boy!” Travis has to put up with his mom dating the kiddie pool
and his underachieving dad who took a job landscaping at his school which --
which his dad mowing the lawn shirtless and rocking out to classic rock -- is
exactly as embarrassing as he could’ve imagined. “Cougar Town” closes out ABC
Wednesdays comedy lineup, starting at 7 p.m.
New to FOX’s Sunday night Animation Domination
lineup including new episodes of “The Simpsons,” “Family Guy” and “American
Dad” is “The Cleveland Show,” which is … well, it’s a spinoff from “The Family
Guy,” centered on Cleveland, who leaves Spooner Street to hook up with his high
school crush so if you enjoy “The Family Guy,” this show is even attempting to
establish a black version of Stewie, so that should all seem wonderfully
familiar (why is one of his neighbors a Russian bear?) “The Cleveland Show”
airs at 7:30 p.m. on FOX.
Coming up
It looks as though this week the fall premieres are leveling out a bit so I
just have a normal amount of television to look at and talk about. Based on the
Zap-2-It powered TV listings at minotdailynews.com, shows on my radar for the
coming week include the premiere of “Three Rivers” at 8 p.m. Sunday on CBS
about Alex O’Loughlin as Andy, a brilliant young surgeon at Three Rivers
Hospital focused on organ transplants, and on Friday, the SyFy premiere of
“Sanctuary,” a superpowered collective charged with overseeing a menagerie of
otherworldly creatures. The second season premieres at 9 p.m. on Syfy.
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