
TV is the New Reading
‘The Starter Wife’
I see where USA is planning to
re-imagine “The Starter Wife,” its miniseries from last summer, as a new series
this fall.
I hope it has been re-imagined a lot.
Debra Messing is, yes, a joy as Molly Kagan, the incredibly well put-together,
detail-oriented, wonderfully organized and suddenly ex-wife of a studio
executive. Her quirky group of friends are delightful as well, and her
misadventures with a dreamy homeless guy, an embattled security guard and a
rival executive who is madly intrigued with her before he inexplicably commits
suicide are just the story of her life all of a sudden.
But will it work as a series?
Well, it depends. Even in the six-part miniseries, with storylines balanced
between a solid ensemble cast, there wasn’t a lot of “there” there. Molly got
dumped and now what? Molly’s meandering plot seemed to be focused on her trying
to maintain a life she just didn’t have access to anymore, and defining herself
by whatever man she was with.
If USA is focused on characters, then Molly needs to be a lot more interesting
to carry a show.
First, funny. Funny, funny, funny. Messing is hilarious, and putting her in
front of a camera with a worthy script is not some effort to make “Will &
Grace” lightning strike twice. It’s as reliable as flipping a switch.
That presupposes a couple of things, however. First, an intuitive cast for her
to bounce her energy off of, and a strong script. Messing has a lot of great
comic instincts, but there’s only so much even she can do with a snorkel in a
reception area. Yes, it’s funny, but not really, because
hyper-organized Molly Kagan wouldn’t arrive at a swanky restaurant in swimgear,
even fresh from the surf, even with her daughter in tow, and she certainly
wouldn’t expect to be seated.
That’s the other part of the problem. As Kenny Kagan’s wife, Molly had it going
on. She was the perfect wife, running the perfect home and living the complete
dream. When Kenny’s midlife crisis erupted in divorcing her in the middle of
the night over the phone, she was suddenly a floppy, disorganized mess.
This indeed made her character more sympathetic and mirrored the kind of loop
the divorce had thrown her for, but part of what was so cool about Molly was
that she had it going on. If USA brings this back as a series, she should draw
on that strength, have some clearly defined goals and while wacky hijinks can
be going on all around her, she should at least be trying to remain hijinks-adjacent
– certainly not the focus or the instigator of them.
Finally, the show needs some actual antagonists. In the miniseries, yes, the
ex-husband was a jerk for divorcing her, and yes, yes, her fairweather friends
were evil for turning their backs on her. But mostly the villains were in the
subplots in the supporting characters and honestly that’s not going to carry a
series.
People need to be invested in Molly’s downfall in order for something as
otherwise transitory as “The Starter Wife” to carry forward with any steam. Be
it stalker-y behavior on the part of the new wife or a identity thief who is
ruining her life or a double-dealing divorce attorney, something has to be a
roadblock for Molly Kagan, “The Starter Wife,” or she’s just going to become
Molly Kagan, divorced woman getting on with her life.
But in the end, it shouldn’t be that difficult. A beautiful, funny woman with a
strong character and a quirky disposition struggling to rebuild a life in the
wake of a divorce with a little help from her friends has a lot of potential.
Let’s see if any of it translates to the screen.
“The Starter Wife” returns Oct. 10 on
USA.
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©2008 The Minot
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