The Closer

Season Three

Review by Terry J. Aman

 

 

This season flew right on by, which is too bad, because while Daniels got a little more attention, it came at the expense of Sanchez (who did have more to do in “4 to 8,” which was the episode I connected with the least of the bunch). And of course we almost never see much of Tao, but when we do it’s a beaut. I don’t quite understand why Buzz and Tao weren’t able to switch back in the training episode – good to see more Buzz this season, by the way – but at least if it was for comic effect, it didn’t hurt the funding for the department.

 

This show is, of course, all about Brenda, and this season made a number of serious demands on her. Naturally, since Brenda is more interesting when she is under pressure – and is absolutely at the best of her worst in those situations – it has never come back to bite her in the butt.

 

She instead sails forward at her Brenda best and lets the chaos in her wake take care of itself. Pope needs her to completely reorganize her department? She de facto delegates it to Gabriel, who comes up with an ingenious solution. Her father is coming and she hasn’t told him about Fritz yet? He’s an old softie anyway. She finds out something disturbing about Fritz? He’s already taken care of it and is still way more perfect than she is, but dang it he can’t stay mad at her. He forgives her, her parents are completely in her thrall and her department stays more or less in the black, and it’s impossible to say whether it’s because of her – that she is in fact her own worst critic and everything just works out for the best – or, honestly, in spite of her.

 

That is, that everything worked out with her department because she’d already surrounded herself with the best people and that’s in fact why everything came together as well as it did. That she’d shown Fritz her most flawed and vulnerable self so when she uncovered what was going on with him and got mad and they had a fight, that he was halfway on the road to forgiving her, even for being out of line. And that all of her deep-seated parent issues are mostly in her head, and that they’ve both mellowed with age.

 

It was pointed out derisively in a recent TVGUIDE that the show was treating menopause like it was the end of the world. But Brenda has been so driven all of her life and now she’s built this relationship with someone who completely gets her but at the same time isn’t being a complete doormat for her (I feel Fritz has really stepped up backbone-wise this season) and can, in her heart of hearts, see herself as … somebody’s mother … and her own body is taking that decision away from her.

 

Naturally, there are so many options for her, and early-onset menopause is hardly the worst thing that might happen to her, but honestly, I’m not privy to the conversations she’s had with Fritz about starting a family, I don’t know what kind of a deal-breaker this is for either of them and I don’t know what Brenda’s self-image vis-à-vis motherhood is, exactly, so I was personally reserving judgment. It seemed like most of that was being considered off-camera, or it might be a significant storyline in Season Four, but considering how little we ever see of her kitty – or Fritz, for that matter, unless she needs something – one wonders how much we’d see any child that she had.

 

Obviously this season felt like it needs to pull out a number of stops. We opened with some of the most graphic imagery this show has explored since the pilot episode. We had Gabriel completely lose it in “Ruby.” And the attack on Brenda in “Manhunt,” we haven’t seen anything so graphic I don’t believe since “Fantasy Date” in the first season. The attack was photographed beautifully and I think Kyra Sedgwick did some of her finest work in that scene.

 

So … what was it building to? Well, the two-part finale was good but it seemed more like a “Law & Order” episode – mostly because the situation was out of Brenda’s hands. She had a handle on about half a case, chasing down the other half while trying to deal with … honestly, could someone get these people an accountant? Because both of them are pretty damned busy and never mind joint checking and car insurance, I think they’ve got gnomes coming in to do their laundry. Every time we see them they’re in the middle of some sort of investigation, and the rest of their lives are falling completely apart.

 

Beyond that, Daniels would’ve been able to find the greenhouse on her first go-round so that would’ve been a good place for her and Gabriel’s relationship to be having some sort of public fraying or otherwise serving as some distraction beyond people just mentioning it occasionally. Or really, for something else to be going on – these people’s relationships are not the be-all and end-all of what’s going on with them as characters.

 

That may be something to explore for S4. I have loved, loved, loved Flynn and Provenza ever since their roadshow to Vegas, and I love that everyone gets along so beautifully. But the fact is that while Brenda keeps everyone around because they in fact are so wonderful, she does not dismiss them when they screw up, even egregiously.

 

Maybe someone should seriously start having some sort of personal problem that starts to affect their work. Honestly, even Capt. Taylor is more or less an ally at this point. The most disruptive thing I’ve seen him do this season is throw a press conference at her.

 

Summing up Season Three, the villains lacked some of the punch of the serial killer who immolated his victims from the inside and the guy who kept drowning wives he was finished with. Not that postal workers-turned-identity thieves, child molesters and cattle prod-wielding S&M fans are fluffy kittens. It just seems like we spent a lot more time with the fiscal bureaucracy of the LAPD and Brenda’s family issues than we did with … honestly, when my parents are in town I don’t take them to work with me, and that’s like half of what Brenda does even when she’s been ordered to stay home.

 

Well then …maybe those issues aren’t all in her head after all.

 

What a great set of episodes. Once again, as fall is in the air, I find I’m looking forward to the Christmas special and chomping at the bit for S4. Seriously, if the format is a success for “Nip/Tuck,” TNT ought to explore reformatting “The Closer” as a full-length season. Lovely work, everyone.

                    

 

 

 

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