
TV is the New Reading
Professionals
get personal
At its core, a couple separating
when the wife catches the husband in flagrante isn’t groundbreaking, new
or really even interesting enough to anchor a series.
When the reaction is frustration, anger and hurt – but also calm and reflective
– there’s some indication that this isn’t going to be a typical show.
Lifetime’s new dramatic series “State of Mind” comes from the same production
company behind the long-running and always edgy plastic surgery drama
“Nip/Tuck.” In “State of Mind,” the scandal seems tempered by heart, which
makes it stand out a little in the television landscape.
It also feels a little bit uncomfortable in its own skin, and I’ll address that
in a moment.
In “State of Mind,” therapist Ann Bellowes, played by Lili Taylor, shares office
space at New Haven Psychiatric Associates with other younger- to middle-aged
professionals, including a psychiatrist, a child psychologist, a teen counselor
and a lawyer who’s new in town and needs office space.
Until recently, her husband, Phil, had an office there, too, until she caught
him in it with their couples counselor, of all people.
Cue the throwing of things amid shrill recriminations? Not at all. After a
moment’s shock and scandalized anger, Ann calmly discusses the situation and
explores with Phil how they got to this point, how they’d both contributed to
the distance between them and ultimately, with gentle sadness, the need for a
separation, and for Phil to move out.
Darkness
This calm rationale was one side of her emotional reaction to what was going
on. The other side came out in a counseling session with a married couple who
were also having problems.
As their counselor, she determined that there wasn’t enough healing and
reconciling communication between them. But this came out in a venomous
indictment of their marriage and themselves as individuals, demanding that
after their all-but-inevitable divorce that they stay single. Wild turkeys,
Bellowes seethed, showed more affection for their mates than the husband did,
and the wife never opened her mouth except to complain. “Of course he’s
not listening to you anymore!”
Even as she brought them to tears, it wasn’t hard to hear Bellowes reflecting
on her own situation in this verdict. But that’s not the only thing going on in
this building. The child psychologist, while incredibly gifted in dealing with
troubled children, is under constant suspicion of pedophilia, and we don’t know
any of these people well enough as characters to dismiss the suspicions being
raised.
The psychiatrist, for his part, has no training for dealing with children, but
became acquainted with one – the clinically depressed and suicidal son of a
self-involved couple who left him at home while they vacationed in St. Barts.
He could easily have ignored the boy. He was sick of the adolescents hanging
around the teen counseling center before he caught two of them having sex in
his office – apparently something about this rambling Victorian office space
really fires the libido. But he became upset with the blithe, unexamined
pointlessness of the boy’s father – his patient – and ordered the couple to cut
their vacation short and tend to their son’s needs.
Sense of proportion
Running beneath all of this drama is a strange undercurrent of ... well, the
image that comes to mind is one of children dressing in their parents’
clothing. The trappings are all grown up, but the subjects are self-conscious
and ill-fitting. It’s like there’s no real sense of proportion in the
storytelling. There are shocking things included mainly to shock, such as the
spouting of racial and homophobic slurs, onscreen coupling and suicide
attempts. Really, it’s so much like the soundstage of a television drama it’s
hard to suspend disbelief sufficiently to accept it as a workplace.
That being said, if it is a little overblown, the writing is strong and the
show is smart and philosophically interesting, and it’s certainly worth a look.
Features Editor Terry J. Aman
compiles the Best Bets for The Minot Daily News.
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