
TV is the New Reading
‘The
Closer’ is off and
The third-season opener of “The
Closer” this week featured the attentions of Los Angeles Police Department
Chief Brenda Johnson, interrogator extraordinaire, tautly divided between a
grisly murder, her home life and the realities of bureaucracy – in this
instance, budget cuts in the LAPD.
One of the cool things about the writing in this show is how intricately
interrelated all of these things become.
First off, the murder itself. We as an audience experienced for the first time
in the run of the show how Brenda’s Priority Homicide Division documents a
crime scene for a jury. It was a great way to start the new season. It
introduced her team for new and returning viewers and the work they were doing,
and got into some of the details other procedurals skim over.
Because the murder is discovered in the early morning hours of a Saturday and
Brenda’s trying to track down a murderer, she’s deployed her entire team in
direct disregard to a shrill memo that’s gone out declaring emergency budget
cuts and no overtime.
And her boss, Will Pope, is trying to rein her in, but when the budget cuts get
in the way of her determining ownership of a cell phone found on the scene, she
begins spending extravagantly, up to and including deputizing the Lompoc police
force and commandeering the LAPD jet.
This could all be going a lot more smoothly if her boyfriend, Fritz, an FBI
agent, were to help her out, but he’s disinclined. Despite having technically
moved in with her, none of his stuff fits in her tiny home. It’s all still out
in the garage. But she never wants to go with him to look for a new place so
the situation isn’t changing. Plus, all of his colleagues at the FBI are making
mad fun of him for all of the assistance he gives her already, so he makes her
actually fill out the necessary paperwork, frustrating her still further.
So ultimately, her home situation is as stable as it ever is, and Pope is
chasing after her to yell at her for every cent of overtime her staff is
accruing, and demanding she identify a staff member to cut.
Meanwhile, she gets to the bottom of the murder with all of her usual drive and
brilliance. It didn’t seem like the solution would be as complicated as it
turned out to be, but the resolution is incredibly satisfying, in the usual “My
God, how did she do that?” kind of way. And in the end, one wonders if justice
is even possible, which speaks to the subtlety of the writing staff.
One thing that has been commented on elsewhere was how gruesome the crime scene
was in this episode. Generally the focus of the show is on the interrogation –
the title refers to how Brenda is a “closer,” that when the case goes to a
jury, she’s put it together well beyond the shadow of any reasonable doubt. The
crime scene itself tends to be secondary. But in this case, I personally think
they spent the time they did with it to drive home how motivated Brenda was in
tracking down the murderer, since so much of the show was going to be focused
on budgets and bureaucracy. And without giving anything away, there’s a nicely
satisfying resolution to that storyline as well.
Ultimately, “The Closer” seems like it’s off and running with its usual
brilliance as the best summer show on any channel and I personally can’t wait
to see what she gets up to next.
Features Editor Terry J. Aman
compiles the Best Bets for The Minot Daily News.
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